RE Log Spring 2021

56 Ransom Everglades LOG SPRING 2021 Class Notes 1975 Class Agent: Kate Sullivan Lindseth (katelindseth@gmail.com) Jody Paskow Gold is a member of the last all-girls class at Everglades School for Girls. She received a BA in psychol- ogy from Connecticut College in 1979 and her EdM in counseling and consult- ing psychology from Harvard Graduate School of Education in 1982. Jody married her college sweetheart, Barry Gold, at Temple Beth Avodah in Newton, Mass., in 1983. She worked as a counselor for Nutritional Management, as part of a multidisciplinary treat- ment team. She has two children, Amy (age 33) and David (age 31) and a granddaughter, Maya (almost 2 years old). Jody currently is a resident at The Boston Home, in Dorchester, Mass. She is a resilient MS survivor since 1988, a true inspiration to many! Designed by Sergio Andrés Mendoza ’96 of Pharaoun Cocktail Rings, alongside editor and stylist, Claudia Miyar Angles ’96 . The Shield ring is created specifically for the Ransom Everglades community. One-hundred percent of net proceeds benefit the fine arts program at RE in memory of Sergio Andrés’ late sister Beatriz Mendoza ’98 . The school colors adorn the design of a Raider’s shield, an emblem of protection, honor and allegiance. Produced using lost-wax casting technique, the ring is available in sterling silver, or cast in 22 karat gold. The cubic zirconia are stonecut, polished and set by hand. For more information and to order your ring today, visit: www.pharaoun.com/REShield . Sterling silver: $145 22 karat gold: $195 RE Shield ring Roxi Vadia Morgenstern with her daughter Veronica and granddaughter Lucia. Lucia was born in September 2020. The three generations live in New York City. Jeri Wolfson writes, “A good season for modernist women artists. I got to see Ida O’Keeffe, Georgia’s sister, open last winter with two paint- ings from my collection at the Dallas Museum of Art and then at the Clark. Two paintings by Agnes Pelton were also included in the exhibi- tion at the Whitney. I was not able to travel to New York to see the paintings hang, but virtual and online is great, as are the Zoom Scholar Panels the Whitney presented that remain on the site. Though the pandemic has curtailed access to many museums, it has been wonderfully reassuring that the canon of art is now being rewrit- ten to include women artists. My collecting for over 38 years was prompted by exactly that goal.” Top: Jeri’s opening at the Clark with an image from her collection. Left: Jeri and Sue Canterbury, DMA curator of the Ida O’Keeffe exhibition. Above: Jeri with the Director of the Clark Museum Olivier Meslay.